“exile has no form but leaves a trace
Heather Clark reconstrueert Plaths stormachtige ontwikkeling als dichter en intellectueel
Over die verzwegen wereld gaat de poëziebundel Wulk
several of the twenty-five startling poetic prose pieces have appeared in magazines and journals like The New Yorker and The Paris Review
and unreadable social aesthetic practice
Not a Force of Nature Queer “exile has no form butAmy De'Ath 'If capital makes life a seething, complex nightmare for most people on the planet's surface, if "words do cleave the producer from the land," then what does all this dispossession feel like? Amy De'Ath turns poetry into a hot, potent, and highly funny form of criticism, in which social force is felt intimately, and voiced in the acid niceness of a work email. Amy's poems move like pieces of machinery in a cognitive amusement park, which