Dokkaebi Patricia while adding layers to its

while adding layers to its evolving timeline

Ils racontent les premiers instants d’une révolte jusqu’au lendemain qui déchante

réalisée sur plus de dix ans et éditée par l’éditeur de Camera Mainichi

Suter reworks the material into a visual reflection on the entanglement of humans and machines – and how technology reshapes perception

Il conçoit ses clichés comme une succession de rencontres

Dokkaebi Patricia while adding layers to itsDokkaebi meticulously redraws and reinterprets 161 goblin motifs drawn from architecture, roof tiles, murals, and decorative objects spanning the Three Kingdoms period through the Joseon dynasty. Complementing the visual archive, essays by Ahn Sang soo and cultural heritage scholar Im Young joo explore the origins, symbolism, and stylistic evolution of the Dokkaebi from fearsome stone guardians to the humorous, familiar figures of later folk art.